Kiriké - CD

Kasse Mady Diabaté

Coop ✌️ is not an online record store like the others!

For many years, we have been supporting independent artists and labels in the development of their online store on the short circuit model, for better remuneration for their work.

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Kiriké - CD

Groove Africa, Arabic, Asia

Sale price €12,50

In stock
Release CD

Help and FAQ

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We ship worldwide, however some products may have territorial restrictions. Please do not hesitate to contact us in order to find out how to obtain the products that are not available for purchase in your territory.

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If your order is placed before 1 PM (time in Paris, France), your order will be processed and sent the same day. If it is placed after 1 PM (time in Paris, France), your order will be sent the next working day.

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For all orders placed outside the European Union, this probation period is 2 months.

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In this case, we will replace your order as soon as possible and provide you with a return receipt for the goods delivered in error.

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Once your order has been validated, you have a 14-day withdrawal period. During this time you can return your products to us and transportation will be at your expense; The full refund of your products will be done after inspection of these.

You will be responsible for the mode of transport chosen to carry out this return, and you commit to using suitable packaging, allowing the return of your products in the best conditions. This is required in order to guarantee you the refund.

Ce nouvel album est né de l’amitié liant Ballaké Sissoko et Vincent Segal. Revenons en arrière. Il y a depuis quelques années à Bamako un courant musical plus intimiste, plus proche du son acoustique de la tradition. Certains de ses membres sont des vétérans qui ont tenu des rôles de premier plan dans toutes les expériences novatrices depuis l'Indépendance ; d'autres sont de jeunes loups possédant à la fois la virtuosité de leurs ancêtres griots et la liberté du jazz. Pas besoin d'arrangeur, pas besoin de gros son. Assister aux jeux de ces virtuoses est une expérience exaltante. Vincent Segal est tombé sous le charme, et s’est lié d'amitié avec le joueur de kora Ballaké Sissoko. Résultat : les très beaux Chamber Music (2009) et At Peace (2012), produits par le label Nø Førmat! . L’album Chamber Music, avec son économie et son élégance, son naturel jamais pris en défaut, a l'ample respiration des grands classiques mandingues. Son succès a fait date dans le marché en berne de l'époque, et démontré que le public a, somme toute, l'oreille fine.

Kiriké est né de cette expérience. Admiratif de Kassé Mady depuis longtemps, Ballaké et Vincent rêvent de réunir un casting « royal » autour de lui, et de lui offrir un album à la hauteur de sa voix.

Autour de Kassé Mady, ils réunissent donc trois solistes, amis d'enfance, trois anciens de l'Ensemble Instrumental du Mali, ce bouillonnant laboratoire de la musique moderne. Mais surtout trois héritiers de grandes lignées.

Ballaké Sissoko est le fils de Djelimady Sissoko, immense interprète de l'album Cordes Anciennes , l'épitome de la Kora. Lansiné Kouyaté, le balafoniste, est le fils de la grande Siramori Diabaté, restée dans le cœur de tous les maliens. Quant à Makan Tounkara dit « Badié », le joueur de ngoni, il a grandi au coeur de l'Ensemble Instrumental, dont son père était l'un des directeurs. A eux trois, ils représentent trois grandes composantes de la musique mandingue, la kora venue de Casamance, le balafon de la zone centrale et le ngoni aux tonalités plus âpres, réminiscentes de désert.

La musique de Kiriké se place dans la lignée de cette nouvelle scène de Bamako. En égrenant des lignes de basse en pizzicati au violoncelle, en privilégiant des formations réduites, comme lorsque ces musiciens jouent entre eux, dans l'intimité d'une cour, Vincent Segal (réalisation, violoncelle) tire subrepticement le son vers une écoute plus moderne, sans pour autant bouleverser l'équilibre classique ; les musiciens peuvent alors déverser tout leur art dans un jeu aisé, libéré, montrer des facettes inédites de leur talent. Le ngoni, à la fois mélodique et percussif, prend une place de premier plan et ses impros ébouriffantes (Douba Diabira) raviront à la fois les amateurs de Bach et ceux du jazz, des gnawas et des transes malgaches. Le balafon et la kora inventent des atmosphères inédites, comme l'accompagnement liquide de Sadjo. Le tout enregistré en live par Philippe Teissier du Cros, dans la belle acoustique naturelle du studio du musicien américain Kent Carter, à Juillaguet.

Quant à Kassé Mady, il se réinvente. « L'homme à la voix de velours » se révèle, dans les morceaux bambara, un tout autre personnage, un vieux paysan qui grommelle au bord de son champ, articulant une langue infiniment plus savoureuse et populaire que le malinké des grandes déclamations classiques. Cinquante ans de carrière n'ont pas entamé ses aigus, mais le registre s'est enrichi de basses d'une douceur étonnante, plus adaptées à cette « musique de chambre » qu'aux sonorités brillantes des fusions. Un son au diapason de l'écoute actuelle, et surtout la consécration d'une des plus grandes voix du Mali.

Kasse Mady Diabaté

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